The trilogy

The books

Three volumes, one thesis: human history is not a rising line, it is a cycle that falls and starts over. And the next turn is already written.

Cover of It Will Happen Again, Volume 1
Volume 1 · April 2026

It Will Happen Again

Cosmic impacts, global catastrophes and the hidden code of ancient civilizations

Author
Pietro Canini
ISBN
9798258768315
Published
April 2026
Publisher
Amazon KDP (independent)

It has already happened. About 12,850 years ago, fragments of a giant comet struck the North American ice sheet at tens of kilometers per second. The energy released was equivalent to thousands of nuclear bombs. In a matter of seconds, trillions of tons of water vaporized. A continent caught fire. Ninety percent of North American megafauna — mammoths, mastodons, saber-toothed tigers — went extinct. For 1,300 years, winter never ended. The scientific community calls it the Younger Dryas impact, and the evidence has tipped the debate in its favor.

But this book is not about the past. It is about a clock. A cosmic clock that has been ticking for tens of thousands of years, whose gears are the precession of the equinoxes, the orbit of a swarm of cometary debris millions of kilometers wide, and the climate cycles recorded in the planet’s oldest ice. A clock whose chimes have been recorded — with extraordinary precision — in the sacred texts of civilizations that should have had no contact with one another: the precessional numbers of the Vedas, the Sumerian shar, the Maya calendar, the Etruscan saecula.

For millennia, these civilizations tried to pass on a message. They encoded it in myths, in sacred numbers, in stone monuments designed to survive the next Flood. The message is the same, in every language, on every continent: it will happen again.

Nineteen chapters, an appendix with the inventory of sites aligned with the ancient poles, and a conclusion that walks you into Giza as into a machine, not a tomb.

Cover of We Are Not the First, Volume 2
Volume 2 · 2026

We Are Not the First

The genetic, archaeological, and technological evidence of a lost civilization

Author
Pietro Canini
ISBN
9798196491696
Published
2026
Publisher
Amazon KDP (independent)

Petroglyphs in Chaco Canyon, New Mexico, show handprints with six fingers. Monumental statues at ’Ain Ghazal in Jordan, dated to 8500 BC, with six-toed feet. A mummy at Paracas, in Peru, with six fingers on each hand and six on each foot. Goliath’s brother in the Hebrew scriptures, with the same anomaly. The Chinese Shan Hai Jing describing six-fingered men in the Tarim Basin.

Five continents. Seven separate traditions. Seven peoples who could not have spoken to one another. All carrying the same genetic pattern.

Mainstream archaeology labels this pattern “accidental cultural convergence.” It insists that distant populations each chose to celebrate the anomaly of a sixth finger. The claim is a statistical fallacy. The chance that seven separate populations would independently invent the same physical trait and celebrate it with identical iconography is so small that treating “cultural convergence” as fact becomes an act of faith, not science.

From a variant of the GLI3 gene to the natural dolichocephaly of the Hal Saflieni Hypogeum, from the 44 sandstone giants of Monte Prama to the biblical Shamir, from the 20%-larger brain to the “long life of THEM” that survives across seven separate traditions. The second volume answers the question left open by the first: who were the builders.

Cover of The Lost Manual of the Ancients, Volume 3
Volume 3 · August 2026

The Lost Manual of the Ancients

The physics hidden in myth, in stone, and in systems still running

Author
Pietro Canini
Published
5 August 2026
ISBN
979-8190889604
Pages
394
Publisher
Amazon KDP (independent)

For a hundred and fifty years the evidence has been sitting in plain sight.

500,000 cuneiform tablets, Sumerian and Akkadian, lie in the world’s museums: the British Museum, the Louvre, Baghdad, Berlin. Translated, dated, published, available online for decades. Humanity’s oldest writing. And yet no one has ever read them for what they actually say.

Assyriologists translate the texts, but they do not work on cosmic catastrophes, on genetics, or on the physics of resonance. The authors who reopened the mystery of our origins — from Zecharia Sitchin, who first sensed the anomaly, to Mauro Biglino and Graham Hancock — do not read cuneiform and have relied on second-hand translations. So quoting a Sumerian tablet became a mark of suspicion: the academics closed the door, the independents stopped knocking. In between, a crack a century and a half long.

This book bridges it.

After building the clock of cyclical catastrophes (Volume 1) and identifying who had already crossed them (Volume 2), Pietro Canini goes looking for the voice: a direct, written testimony of a technological civilization older than the Flood. He finds it in the Sumerian and Babylonian texts, and draws from them seven threads that converge on a single story:

  • Eridu and Enki’s Abzu, buried under five meters of sand, which the tablets describe as humanity’s first laboratory;
  • the 7 sages — the apkallu, the Oannes of Berossus — carriers of a knowledge that was not their own;
  • “manufactured” animals and plants that appeared out of nowhere and can no longer reproduce on their own;
  • music written into stone, from Hampi to the nine scales of Nippur;
  • the journeys between sky and earth in the poems of Etana and in the Indian vimana;
  • the island of the survivors, its giants, and the shadow of Atlantis;
  • and base 60: the numerical language in which the sky, time and the circle were written, and which we still use every time we look at a clock without understanding it anymore.

In the Sumerian texts they are the Anunnaki. In the Hebrew Bible, the Elohim. Peoples all over the world called them gods. Everything else is written down, and the evidence is in front of our eyes. The author is not an Assyriologist and has not changed a single word of the academic translations: he searched, in texts specialists have been translating for a hundred and fifty years, for the patterns the two previous volumes predicted. Every fact is cited, dated and verifiable.

And an ending that closes the trilogy: some of those machines are not entirely switched off — the spring at Lourdes, the fields of Wiltshire — and our own technology would already have the separate pieces to rebuild one in miniature.

The astronomical calendar is clear: the cycle will return. Not if — when. The real question is whether this time we will still be able to read the language of 60.

The world is not mastered, the way we do it with our fragile technology. It is tuned, the way they did it.

Frequently asked questions

About the trilogy

What is the “It Will Happen Again” trilogy by Pietro Canini about?

Three standalone essays in dialogue. The first volume builds a cosmic clock of the periodic catastrophes that strike Earth. The second searches for traces of a civilization that worked to cross them. The third opens the technical manual — acoustic resonators, base 60, encoded voices — that this civilization left as instructions for the survivors of the next event.

What is the central thesis on the Younger Dryas event?

The trilogy reads the abrupt cooling of the Younger Dryas (~12,900 years ago) not as an isolated climatic oscillation but as a planet-scale civilizational reset, marked by a cosmic impact. The surviving megalithic monuments contain — in Pietro Canini’s reading — technical instructions to recognize and cross the next cycle.

What is the 110 Hz resonance of the King’s Chamber at Giza?

It is the natural acoustic frequency of the granite King’s Chamber inside the Great Pyramid of Giza. The same frequency is also measurable at Stonehenge. The trilogy reads both monuments as acoustic “machines” designed for that vibration, and provides an interactive lab to simulate the phenomenon in the browser.

Do the books contain verifiable archaeological evidence?

The author’s declared method is that every claim must be verifiable online. The books contain no photographs: every site, monument, artefact, tablet, or document cited has online references available in high resolution, and the reader is invited to check firsthand before accepting any conclusion.

What are the Lab simulations on accadradinuovo.com?

Interactive simulations that run directly in the browser, letting you verify the physics described in the books: magnetic pole drift, the King’s Chamber acoustic resonance, Stonehenge as a 110 Hz resonator, the Chladni patterns on the coffer. Every chapter describing a device includes a QR code linking to the matching lab.

Are the books available in English?

Yes, all three. Vol. 1 (“It Will Happen Again”, ASIN B0GX2WTHQ4), Vol. 2 (“We Are Not the First”, ASIN B0H1GZYFS4) and Vol. 3 (“The Lost Manual of the Ancients”, ASIN B0HDPV3GDD) are all on Amazon.com in paperback and Kindle. The English edition of Vol. 3 was published on 5 August 2026, 394 pages, ISBN 979-8190889604.