The trilogy

The books

Three volumes, one thesis: human history is not a rising line, it is a cycle that falls and starts over. And the next turn is already written.

Cover of It Will Happen Again, Volume 1
Volume 1 · April 2026

It Will Happen Again

Cosmic impacts, global catastrophes and the hidden code of ancient civilizations

Author
Pietro Canini
ISBN
9798258768315
Published
April 2026
Publisher
Amazon KDP (independent)

It has already happened. About 12,850 years ago, fragments of a giant comet struck the North American ice sheet at tens of kilometers per second. The energy released was equivalent to thousands of nuclear bombs. In a matter of seconds, trillions of tons of water vaporized. A continent caught fire. Ninety percent of North American megafauna — mammoths, mastodons, saber-toothed tigers — went extinct. For 1,300 years, winter never ended. The scientific community calls it the Younger Dryas impact, and the evidence has tipped the debate in its favor.

But this book is not about the past. It is about a clock. A cosmic clock that has been ticking for tens of thousands of years, whose gears are the precession of the equinoxes, the orbit of a swarm of cometary debris millions of kilometers wide, and the climate cycles recorded in the planet’s oldest ice. A clock whose chimes have been recorded — with extraordinary precision — in the sacred texts of civilizations that should have had no contact with one another: the precessional numbers of the Vedas, the Sumerian shar, the Maya calendar, the Etruscan saecula.

For millennia, these civilizations tried to pass on a message. They encoded it in myths, in sacred numbers, in stone monuments designed to survive the next Flood. The message is the same, in every language, on every continent: it will happen again.

Nineteen chapters, an appendix with the inventory of sites aligned with the ancient poles, and a conclusion that walks you into Giza as into a machine, not a tomb.

Cover of We Are Not the First, Volume 2
Volume 2 · 2026

We Are Not the First

The genetic, archaeological, and technological evidence of a lost civilization

Author
Pietro Canini
ISBN
9798196491696
Published
2026
Publisher
Amazon KDP (independent)

Petroglyphs in Chaco Canyon, New Mexico, show handprints with six fingers. Monumental statues at ’Ain Ghazal in Jordan, dated to 8500 BC, with six-toed feet. A mummy at Paracas, in Peru, with six fingers on each hand and six on each foot. Goliath’s brother in the Hebrew scriptures, with the same anomaly. The Chinese Shan Hai Jing describing six-fingered men in the Tarim Basin.

Five continents. Seven separate traditions. Seven peoples who could not have spoken to one another. All carrying the same genetic pattern.

Mainstream archaeology labels this pattern “accidental cultural convergence.” It insists that distant populations each chose to celebrate the anomaly of a sixth finger. The claim is a statistical fallacy. The chance that seven separate populations would independently invent the same physical trait and celebrate it with identical iconography is so small that treating “cultural convergence” as fact becomes an act of faith, not science.

From a variant of the GLI3 gene to the natural dolichocephaly of the Hal Saflieni Hypogeum, from the 44 sandstone giants of Monte Prama to the biblical Shamir, from the 20%-larger brain to the “long life of THEM” that survives across seven separate traditions. The second volume answers the question left open by the first: who were the builders.

Cover of The Lost Manual of the Ancients, Volume 3 (Italian edition)
Volume 3 · Final review, Italian edition first

The Lost Manual of the Ancients

Voices, base 60 and machines still active

Author
Pietro Canini
Status
Final review, Italian edition first
First edition
Italian
Publisher
Amazon KDP (independent)

The first two volumes left behind an image and a population. Machines: broken, damaged, but still machines — Giza, Stonehenge, Sacsayhuamán. And an archaic Homo lineage, genetically distinct from contemporary sapiens, recognisable by specific traces: the GLI3 gene, natural dolichocephaly, the Shamir as a technique.

One question remained. Where is it written down? Where is the direct testimony — not a material trace, but a deposition? Someone who knew THEM and spoke about them, while they were still alive enough in cultural memory to be described as operators, and not yet forgotten enough to have become abstract gods.

That voice exists. It is humanity’s oldest writing system: Mesopotamian cuneiform. Five hundred thousand tablets recovered in two centuries of excavation now sit in museum collections worldwide. They are published. They are digitised. They are accessible. And yet no one has yet listened to them the right way.

Eight chapters: the Eridu / Abzu nucleus, the seven sages before the flood, animals made and animals brought, the bread that did not exist, music written into stone, the road of the sky, three hypotheses on the table, and the statue that lights up.

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Final review, Italian edition first
Frequently asked questions

About the trilogy

What is the “It Will Happen Again” trilogy by Pietro Canini about?

Three standalone essays in dialogue. The first volume builds a cosmic clock of the periodic catastrophes that strike Earth. The second searches for traces of a civilization that worked to cross them. The third opens the technical manual — acoustic resonators, base 60, encoded voices — that this civilization left as instructions for the survivors of the next event.

What is the central thesis on the Younger Dryas event?

The trilogy reads the abrupt cooling of the Younger Dryas (~12,900 years ago) not as an isolated climatic oscillation but as a planet-scale civilizational reset, marked by a cosmic impact. The surviving megalithic monuments contain — in Pietro Canini’s reading — technical instructions to recognize and cross the next cycle.

What is the 110 Hz resonance of the King’s Chamber at Giza?

It is the natural acoustic frequency of the granite King’s Chamber inside the Great Pyramid of Giza. The same frequency is also measurable at Stonehenge. The trilogy reads both monuments as acoustic “machines” designed for that vibration, and provides an interactive lab to simulate the phenomenon in the browser.

Do the books contain verifiable archaeological evidence?

The author’s declared method is that every claim must be verifiable online. The books contain no photographs: every site, monument, artefact, tablet, or document cited has online references available in high resolution, and the reader is invited to check firsthand before accepting any conclusion.

What are the Lab simulations on accadradinuovo.com?

Interactive simulations that run directly in the browser, letting you verify the physics described in the books: magnetic pole drift, the King’s Chamber acoustic resonance, Stonehenge as a 110 Hz resonator, the Chladni patterns on the coffer. Every chapter describing a device includes a QR code linking to the matching lab.

Are the books available in English?

Yes. Vol. 1 (“It Will Happen Again”) and Vol. 2 (“We Are Not the First”) are already on Amazon.com with ASINs B0GX2WTHQ4 and B0H1GZYFS4 respectively. Vol. 3 (“The Lost Manual of the Ancients”) is in final review, with the Italian edition first; the English edition will follow.